My digital paintings originate in my own Butoh practice. They begin as performance documentation—my moving body—and are transformed through Photoshop into another state of existence.
In my work, my body is digitally extracted and reshaped—contracted, cut, stretched, and multiplied—until it slips beyond time, scale, and anatomical logic. Through these processes, the body enters a state of entropy, where form destabilizes and corporeality loosens.